Use of Colour in Movies

I Study the active vocabulary and focus on Ukrainian equivalents of English words.

exist існувати

tool інструмент

storytelling розповідь

director режисер

visual візуальний

memorable пам'ятний

sample зразок

acid кислотний

meticulously прискіпливо

create створювати

multicoloured різнобарвний

wonderland країна чудес

employ вживати

location місце зйомок

blood-red-soaked криваво-червоний

funeral banner похоронний прапор

main cast основний акторський склад

for narrative reason з метою побудови розповіді

vivid imagination яскрава уява

excess надмірність

explain пояснювати

ground обгрунтовувати

   

II Watch the video and fill in the gaps with the words from the list. There are some words you don’t need to use.

director; pattern; primary; samples; colour palettes; colour film; ten; crazy; narrative reason; tool; memorable; important; design; called; vivid; imagination; possible; visual; explained; wonderland; kaleidoscope; countries; texture

Even before 1)______ existed, filmmakers have been using colour as a 2)______ for beauty and storytelling and 3)______ minded directors have created 4)______  _______almost as 5)______ as the films themselves. So get out your paint 6)______ and follow along. These are our picks for the top 7)______ best coloured films of all time.

Kicking us off at number ten, let’s just get it out of the way and go full balls to the wall, 8)______ colourama with our first slot. We’re talking movies that are somewhere between a Skittles ‘Taste the Rainbow’ themed orgy, and a technicolour 9)______ acid trip. The hyper-colourful films that really make us go wow, are those like ‘What Dreams May Come’, ‘Dick Tracy’, ‘The Cook, the Thief, his Wife and Her Lover’, ‘The Holy Mountain’, ‘Gate of Hell’, ‘Life of Pi’, and like everything Bas Lerman’s ever directed. But really, our pick’s got to be ‘The Fall’.

          Tarsem Singh, The Fall’s madman 10)______ took four years to meticulously create this multicoloured 11)______ across 24 different 12)______ to an effect that David Fincher described as ‘what would have happened if Andrei Tarkovsky had made the ‘Wizard of Oz’’. He employs colour in every 13)______ way, from the space-like orange dunes of the location to the sky-high, blood-red-soaked funeral banner of his set 14)______ to the 15)______ colour wheel costuming of his main cast. But the most 16)______ part is that he does it for good 17)______   ______, as a window into the 18)______   ______of the little girl. The excess is 19)______, it is grounded, and it is so beautiful.

III Watch all the video and answer the questions.

1 What element of art and design does the video discuss (line, colour, texture, space)?

2 What are the colours used in the films that have number 10 in the rating?

3 What colours did Tarsem Singh use in his movie ‘The Fall’ (for example, green, blue, etc.)?

4 Where did Tarsem Singh use the colour in his film (for background, for costumes, etc.)?

5 Why did Tarsem Singh use such bright colours? What was his reason?

IV  Study the active vocabulary and focus on Ukrainian equivalents of English words.

less менше

distinctive особливий

evocative що викликає почуття

limited range обмежений діапазон

vast assortment величезний асортимент

available доступний

Home Depot – назва магазину будівельних матеріалів

paint aisle відділ фарб

explosion вибух

avoid уникати

gap пропуск

character персонаж

strip фрагмент

contribute робити  внесок

heat wave період сильної спеки

milestone віха

dusty пильний

vintage старовинний

storybook збірка розповідей

lab лабораторія

muck бруднити

photochemical process фотохімічний процес

to no avail безрезультатно

mid-summer середина літа

colour grading кольорова градація

incredible неймовірний

lush green пишний зелений

burnt ocher колір вигорілої охри

evoke викликати

tint забарвлювати

refined look вишуканий вигляд

affect впливати

V Watch the video. Choose the correct option to complete the sentences.

Of course, more isn’t always better, in fact, for the rest of our list, we’re looking at how filmmakers/films/made use less. Creating a distinctive coloured book/ colourful cook/colour look of a film often comes down to building a beauty/beautiful/full, evocative pallet. And building a pallet/pellet/let involves selecting a limited range/derange/arrange of colours from the fast sort/dust cohort/vast assortment of all of those available, instead of just throwing them all at the sheen/machinery/screen like a Home Depot paint aisle explosion. Think Tim Burton in his darker work, we notice the colours/colourful/colouring he likes to use so much because of all the other ones he avail/avoids/exploiting. Or it can also create a gap, like in ‘500 Days of Summer’, or ‘American Beauty’, or the ‘Red Shoes’, where saving certain/curtains/certainty colours for certain moments and characteristic/characters/teachers lends those colours far more power than they might have with less of a vacuum. ‘Mishima. A Life in Four Chapters’, limits its palette for different segments. ‘The Aviator’ limits it to mimic the two strip and three strip colour processes/access/exceed of the era. And ‘Do The Right Thing’ painted everything, including its buildings, rot/red/bread and orange to contribute to the feeling of a heat wave/hit and run/waiter. However, for our number nine pick we loved the look of O Brother, Where Art Thou?, and its milestone history to boot.

Roger Deakins’, ‘O Brother’s cinematographer, set out to collated/create/erase a dusty, vintage, storybook type of look for O Brother, Where Art Thou?, and spent nearly three/freedom/free weeks in the film lab mucking about with various physical exercise/photochemical processes/physicists and chemists to no avail. You see, Deakins’ palette was meant to specifically avoid spleen/green/teen, but they’d shot in Mississippi in mid-summer which looked, as he described it, greener than Ireland. So he turned to digital colour grading/colour faded/colour evade, a mainstay in modern features, but a never before used technology at the time, and changed film colour historical/historian/history and the look is incredible. All the lush green/plush scene/lavish spleen and blues of the mid-summer south are transformed into yellows and oranges and browns and burnt ochers, evoking a dusty sum/autumn/autonomous feel without just tinting everything sepia. It’s a more controlled refined look that comes from singling out and defect/protect/affecting some colours while leaving the others alone.

VI Watch all the video and answer the questions.

1 What is characteristic of colour use in the films discussed in the video?

2 When do film directors choose to use only certain colours? What effect can this use of colour create?

3 What examples of films that limit colour usage does the video give?

4 What colours did the director want to use in his film O Brother, Where Art Thou? What was the problem with finding those colours in mid –summer?

5 How did the director create the colours he needed for the film? What technique did he use?

6 What effect and feeling did the director want to create with the help of colour in O Brother, Where Art Thou?

7 What effect can the limited use of colours create (according to the examples given in the video)?

VII Study the active vocabulary and focus on Ukrainian equivalents of English words.

predictable передбачуваний

obvious очевидний

saturation насиченість

focal object центральний об’єкт

vivid яскравий

stencilling  використання трафарету

narrative розповідь

heart-wrenching жахливий

emotional effect емоційний ефект

slot місце

beat перевершити

sparingly економно

significance значимість

intentional навмисний

audience глядачі

snap to attention привертати увагу

inspired натхненний

comic комікс

akin to graphic design схожий на графічний дизайн

limited palette обмежена палітра

deviate відхилятися

stick with it дотримуватись чого-небудь

timeline хронологія

iconic знаковий

readily accessible example легкодоступний приклад

I’m just kidding я жартую

turn of the millennium рубіж тисячоліття

trickery хитрість

meticulous ретельний

coordinate узгоджувати

costuming костюм

location місце зйомок

choice вибір

set design дизайн знімального майданчика

relieving що вносить елемент розмаїття

 blood red криваво-червоний

overwhelming pervasiveness розповсюдженість що вражає

crimson малиновий

moving зворушливий

be emotionally moved бути зворушеним

VIII Watch the video and fill in the gaps with the words from the list. Use ALL of the words in the list.

one; colour palettes; grading; emotional effect; vivid; narrative; graphic; design; earliest; examples; attention;  technology; significance; intentional; makeup; predictable; selected saturation; emotionally; green; millennium; black and white; revolutionary; colour wheel; digital; crimson; brightness; limited; selecting; meticulous; include; photography; selective saturation; different; stencilling; location; iconic; designers; red

Moving into more specific 1)________  _________ that come from limiting colours in 2)________ ways, the first and most obvious is the 3)______  _____ palette. This is 4)________ to the extreme, everything is in 5)________   ____ _______ except for a focal object that gets the most 6)________ of colour. This was actually one of the 7)________ forms of colour on film back when colours were only achieved by 8)________ on the stock, think the ‘Great Train Robbery’. ‘Pleasantville’ makes this a part of its 9)________ while, while ‘Schindler’s List’ uses it to heart-wrenching 10)____     ____. However, for our slot, we think that Sin City’s colour is pretty hard to beat. ‘Sin City’ takes the colour 11)________ process of ‘Brother Where Art Thou?’ and dials it up beyond 11. It uses colour so sparingly, that they take on a massive emotional and narrative 12)________. The decision to 13)________ any one colour is so clearly 14)________, that the audience has no choice but to snap to 15)________. Inspired by the art style of  Frank Miller’s  comic, ‘Sin City’s’ use of colour is more akin to 16)________  _____  than 17)________, and it makes for one of the most extreme possible 18)________ of a limited palette.

Next up in colour palettes, slightly less limited than the 19)________  _____  is the monochrome palette and it’s pretty simple, as far as colours go, you just get 20)________. Sure, maybe you deviate in 21)________ or saturation a little bit, but you pick a spot on the 22)____     ____ and stick with it. It’s used by design in ‘Buried’, naturalistically in Kieślowski’s ‘Three Colours Trilogy’, ‘Intolerance’ ‘used 23)________ monochromatic tinting to separate out its timelines. While ‘Hero’ is probably the most 24)________ and readily accessible example of this over and over and in every 25)________ way. But we’ve picked it enough times on our list that we’re gonna keep looking. In its place, we’re making room for a film we don’t talk enough about ‘Citizen Kane’, no I’m just kidding, I couldn’t even finish it. Our number seven slot is actually going to ‘Cries and Whispers’.

Now, our last few slots have gone to films leveraging the digital intermediate 26)________ of the 2000s, but good colour has been around long before the turn of the 27)________. You see, before colourists had 28)________ trickery, production 29)________ and cinematographers controlled colour the old fashioned way, through 30)________ design. Films can follow just as strict a palette by carefully 31)________ and coordinating the costuming, 32)________ choices, set design, 33)________ and lighting and ‘Cries and Whispers’ does just that. Beyond a few relieving scenes of 34)________ and yellow, everything in ‘Cries and Whispers’ takes place in a world that is blood 35)________. Bergman famously said “all of my films can be thought of in terms of black and white except ‘Cries and Whispers and you can see why. The overwhelming pervasiveness of the 36)________ has such a moving effect like a sensory deprivation tank of colour that you can’t help but be 37)________ moved.

IX Watch all the video and answer the questions.

1 What is characteristic of colour use in the films discussed in the video (positions 8 and 7 in the rating)?

2 How does the choice of only one colour influence the audience? What movie is the best example of this choice?

3 What does the use of colour in the movie ‘Sin City’ look like: colour in movies or colour in graphic design and comic?

4 What is a monochromatic colour scheme? What movies use this scheme?

5 Before the era of digital design what did directors and designers do to create a monochromatic colour schemes for their movies?

6 What effect does the use of monochromatic colour scheme create in the movies?

X Study the active vocabulary and focus on Ukrainian equivalents of English words.

complementary colour scheme додаткове поєднання кольорів, компліментарна схема

opposite навпроти

compelling переконливий

frustrating що дратує

orange-teal оранжево-бірюзовий

stale несвіжий, старий

emphasize підкреслювати

human skin людська шкіра

notable помітний

evoke викликати

strong impression сильне враження

caution обачність

envy заздрість

absence відсутність

lack of нестача

 memorable пам'ятний

triadic colour scheme рівновіддалене поєднання, класична тріада

tetradic colour scheme прямокутна схема

carefree безтурботний

love affair роман

overbearing владний

garish позбавлений смаку

thoughtful вдумливий

orchestrate організувати

XI Watch the video and fill in the missing letters in the words you hear. 

Adding one more 1) co_ _ _r into the mix, next we get to the

2) c_ _ _ _ _ _ _ nt _ry colour scheme. You take one colour and 3) c_ _ _ b_ ne it with its 4) o_ _ _ s _ te, and boom, you’ve got yourself a scheme that’s

5) a_ _ _ m_ t_ c_ lly compelling. It’s the source of the ever 6) p_p_ _ ar, every frustrating orange-teal Hollywood 7) b_o_ _b_ster look. Which look we get it, it’s fun to 8) c_ mpl_in about and it can definitely get stale if used to the exclusion of all else. But filmmakers use it for a 9) r_ _ _ _ n, it’s colour contrast that best emphasizes the look of 10) h_ _ an  sk_n. ‘Mad Max Fury Road’ is maybe our 11) f_vo_ _ _ _e example of this 12) c_ _ _ _ _ _t, but you can also spin the colour 13) w_ _ _ _  further and get to less 14) c_ m_ on  contrasts. Yellow and 15) p_ r_ _e, as in ‘The Curse of the Golden Flower’ and the very difficult, red-16) g_ _ _ _, most notable in ‘Amelie’, ‘The City of Lost Children’ and our pick for number six, ‘Vertigo’.

 There’s hardly a film that used technicolour so 17) b_ _ _ lia_ _ ly as ‘Vertigo’ and there’s perhaps no other film that evokes such a strong

18) i _ p_ _ _si_n of a colour 19) p_ _ _ _ _ _ as does its red and green. Red for caution and  green for 20) e_ vy. Red for Scottie and green for Madeleine. And the colour 21) sc_ em_ is felt even in scenes of its 22) a_ _ e_ ce. The lack of these powerful colours feels like a lack of powerful 23) e_ _ _ i_n. It’s a colour scheme so memorable, we actually feel it when it’s gone, which makes it a must include on this list. 

Adding in even more colours, we wind up in triadic and 24) t_tr_ _ _ c colour schemes and in their most extremes lands you somewhere between a Pete Mondrian 25) p_ _ nt_ng and a game of ‘Twister’. But they can make for effective colour schemes, ones that tend to seem fun and 26) c_ref_ _e and stereotypically colourful. Films like ‘A Clockwork Orange’, ‘Women on the Verge of a Nervous Breakdown’, ‘Volver’, ‘The Last Emperor’, Kurasawa’s ‘Dreams’ and ‘The Umbrellas of Cherbourg’ all live within this world. However, if there’s a 27) f_ _m that does it best, we think it’s Godard’s ‘Contempt’.

Godard has always had a 28) l_ v_ affair with colours. And in ‘Contempt’, they find their 29) e_p_ e_ _ _on in the triadic coloured red, blue, yellow that establishes itself early on and then 30) s_t_r_tes the screen to greater or lesser extents. But they are never overbearing or garish, instead they are 31) be_ _ _ _ _ul and striking and thoughtful and 32) m_ _ _r_ble, orchestrated by a master to masterful 33) e_ _e_t.

XII Watch all the video and answer the questions.

1 What is characteristic of colour use in the films discussed in the video (positions 6 and 5 in the rating)?

2 What is complementary colour scheme? How is it formed?

3 In what kind of Hollywood movies do directors often use complementary colour scheme (romantic movies, blockbusters, horrors)?

4 What can complementary colour scheme emphasize in the movies?

5 What colour combinations in complementary colour schemes do film directors use? What combinations are difficult?

6 What is the meaning of colours in ‘Vertigo’? What emotions and feelings do these colours symbolize?

7 Are triadic and tetradic colour schemes used to create carefree or depressed mood in movies? What are the examples of this colour scheme?

XIII  Study the active vocabulary and focus on Ukrainian equivalents of English words.

stunning приголомшливий

cinematic effect кінематографічний ефект

neon palette неонова палітра

ultra-saturated ультра-насичений

odd дивний

challenging складний

follow-up продовження

 neon glow неоновий відблиск

shop front вітрина магазину

subtle, gentle colour витончений, ніжний колір

harsh суворий

violent різкий

plot сюжет

incarnation  втілення

contemporary aesthetic сучасна естетика

digital world цифровий світ

pastel пастельний

washed out злинялий

curated ретельно розроблений

forgiving поблажливий

mustard гірчичний

amber кольору бурштину

 oeuvre твір

appreciate цінувати

 hover знаходитись поблизу

muted palette приглушена палітра

post-apocalyptic film пост-апокаліптичний фільм

mundane  світський

elaboration старанність

recognizable впізнаваний

obsessively з надмірним завзяттям

crafted розроблений

shadow тінь

peer into вдивлятись у (щось)

 XIV Watch the video and fill in the gaps with the suitable words.

Of course, colour 1) p_________s don’t always come from limiting 2) h____s. Sometimes focusing on some specific lightnesses or 3) s_________ns can produce a stunning cinematic 4) ef______ as well. For our number four, we wanna look at a more recent trend, that of the 5) n_____ palette. Keep your colours bright and 6) u______-s_________, and you might wind up with the in your face Tokyo shop front aesthetic of ‘Springbreakers’, ‘Enter The Void’, ‘Suspiria’, or our number four pick, ‘Only God Forgives’.

There’s very little middle ground in Nicolas Winding Refn’s odd and

challenging follow-up to ‘Drive’, the screen is either 7) b______ or bathed in a neon glow. Reds, blues, lime greens, teals, 8) y_____ows, pinks, purples, and brilliant 9) o________ all find their place in mostly 10) m________ compositions. But what’s consistent across the film is that there is no subtle, 11) g______tle colour. It is harsh and 12) un___tu_al, violent and uncaring, like much of the plot. But it’s certainly striking and definitely one of the best incarnations of what seems to be a 13) p______ contemporary aesthetic in our 21st century 14) d_________ world. Of course, if you dial the colours way back and stay away from the extreme of 15) l_______ess and darkness, you end up with the 16) p________aesthetic. They’re 17) n________, milky a little washed out with a relaxed feeling and a storybook quality. There’s a notable pastel look to ‘Floating Weeds’, ‘The Danish Girl’ and ‘The Shining’, but Wes Anderson is really the 18) m___st__r here. He’s been developing the highly curated pastel look ever since ‘Rushmore’ but come on, has he ever done it better than ‘The Grand Budapest Hotel’?

- You’re looking so well darling, you really are. They’ve done a marvellous job, I don’t know what sort of cream they’ve put on you down at the morgue, but I want some.

The ‘Grand Budapest Hotel’ is pretty much the opposite of ‘Only God Forgives’, soft, gentle, forgiving 19) c_______s. Never neon, rarely primary, often peculiar, and difficult to name. Anderson doesn’t use yellow so much as mustard, not pink so much as 20) r_________, not red so much as burnt amber. There’s a sophistication to his 21) c__________ choices that is, and we name this lovingly, a little bit hipster. But his odd colour tastes tend to both 22) c_____nect his work into a greater oeuvre and find unique expression in each 23) i__________ piece. But they’re so lovingly chosen and precisely expressed in every 24) d_________ that you absolutely have to 25) a________ them even as we make fun of them at every possible turn.

Depressing the palette even more, lowering the 26) s________ even further while hovering just above grey, going murkier and darker and staying away from 27) r_____, you end up with the muted palette. This can look like a simple 28) d_sa________ as in ‘The Road’, or a whole computer look when tinted green as in ‘The Matrix’. It’s the favourite of post-apocalyptic 29) f_____, but it has its place in society as well as in our number two pick, Roy Andersson’s  mad genius ‘The Living Trilogy’.

          Andersson’s  colour is so subtle yet so meticulously controlled that we can’t help but 30) a_____ it. Starting with ‘Songs  From The Second Floor’, moving on to ‘You, The Living’, and culminating in ‘A Pigeon Sat on a Branch Reflecting on Existence’, Roy Andersson has created a 31) w_____ of the beautiful mundane with such elaboration and vision that is wholly unique and immediately 32) r________able. Much like Wes in his playful twee finding expression in his 33) p________   palette, Andersson accomplishes the unimaginable, expressing his 34) tr_gic comic humour in his colour-scape. With obsessively crafted sets built over years, designed for as little contrast as possible and lit with no 35) sh_______, that we do exactly what he was setting out for us to do, peer into the details, look deeper and 36)  s_____ more.

XV Watch all the video and answer the questions.

1 What is the recent trend in colour use in movies? What is the name of the bright colour palette?

2 Are bright colours used in films gentle? What effect do they create? What city or what age do they remind us of?

3 How is the choice of aggressive colour schemes connected to the plot of the movie?

 4 What is characteristic of pastel colour palette? What effect does it create in films?

5 What is muted palette? How is it created?

6 What movies use muted palette?

7 What effects and feelings can muted palette help to create?

XVI  Study the active vocabulary and focus on Ukrainian equivalents of English words.

spike зубець

jewel коштовність

supple гнучкий

gorgeous прекрасний

manufactured синтетичний

stylized стилізований

tasteful зі смаком

bold сміливий

binary meaning подвійний сенс

heartache страждання

billowing curtain занавіска, яку роздуває вітер

longing туга

lipstick stained cigarette сигарета зі слідами помади

vivid green яскраво зелений

breathtaking захоплюючий дух

beyond measure безмежно

XVII Watch the video and fill in the gaps with the suitable words.

Finally, for our last 1)________ , the darker, deeper, richer version of the 2)________palette with spikes of saturation around very specific 3)________, we have the jewel-toned look. ‘This is Fanny and Alexander’ and ‘Lola Montes’ and ‘Anna Karenina’. It’s hard to 4)________but it’s rich and supple and gorgeous without looking 5)________. It blends in as naturalistic even when it’s catching the 6)________. For our 7)________version of this, we have no qualms giving it to ‘In the Mood for Love’.

What can we say about ‘In the Mood for Love’ that we haven’t already?

It is a 8)________film in every possible sense of the word, stylized yet 9)________, subtle yet 10)________. His colours are without over obvious 11)________or binary meaning, instead working for 12)________effect. They create a world, its characters, the feeling and the 13)________. There is 14)________in the redness of billowing curtains, longing in the 15)________of a lipstick stained cigarette, irony in the vivid 16)________of a dress. Wong Kar-wai and Christopher Doyle are 17)________colour masters, and ‘In the Mood’ is their finest work, breathtaking and beautiful beyond measure, which is why it’s our pick for the Best Coloured Film of all Time.

XVIII Watch all the video and answer the questions.

1 What is the colour palette of the film that has 1^st place in the rating?

2 What is special about the movie colour palette?

3 What do certain colours symbolize in the movie (for example red for love)?

XIX OVER TO YOU.

A)  Choose one of the movies that are listed as examples in the video but not discussed in detail (for example ‘What Dreams May Come’). Try to choose a movie you have not watched before. Find this movie and watch it (preferably in English). Write a description (15 sentences or more) of the colour scheme the movie uses and the effect this scheme creates. For the description you can use the questions and useful phrases below.

Questions:

What is the name of the movie?

Who is the director?

When was the movie released?

What is the movie about (very short plot synopsis)?

What colour scheme does the movie use (look back at the texts or the video to find answer)?

Where are the main colours in the movie?

Where does the director use the colour scheme (costumes, location, set)?

What effect or mood does the use of the colour scheme usually create use (look back at the texts or the video to find answer)? 

Do you agree that the colour scheme serves its purpose? Does the colour scheme create the necessary effect? (speak of your impressions)

Did you like the movie? Did you like the colour scheme in the movie? Did the colour scheme help you understand characters or their behaviour?

If the movie had a different colour scheme, would the film have the same effect or the same message?

Useful phrases:

____________(the title of the film) was directed by _______ (name of the director). It was released in __________(year). The film is about________. In the beginning of the film ______. But then ________.

     ____________(the title of the film) relies on the use of ________(complementary) colour palette.  Most scenes take place in a world that is ______(green and red). The director employs ___(green) for the location and ___, he/she uses _____(red)  in the design of ______, ______, ___(in characters’ costumes).

_______(complementary) palette creates _______ (contrast)  that  best emphasizes ________(the look of human skin). In the movie ___(red) is the symbol of _____(caution) and is used for ____ (one of the characters, Scottie) and  ____ (green) means ____ (envy), it is the colour ______ (that    character of Madeleine often wears).

 I believe….

In my view…

To my mind…..

It seems to me that…

To my mind the director uses the ____ (complementary) colour palette successfully because _________________(we realize that Scottie and Madelaine are very different and will not be happy. Every time Madelaine wears her green dress she hurts  Scottie and breaks his heart).

I recommend _____ (title of the movie) because the choice of the colour scheme attracts viewer’s attention to the most important elements of the plot. The choice of colours makes it easier to understand the motives of the characters and their behaviour.

OR

I don’t recommend the movie because the choice of the colour scheme makes it difficult to follow the plot. Too many bright accents hurt your eyes and you find it difficult to follow characters’ actions. The colour of the clothes characters wear is misleading or seems to have no significance to the lot.

If the movie had a different colour scheme, it would be impossible to create the feeling of mystery and tragedy. If the director chose ___(neon) palette, I’d never believe that the characters lived in 19^th century England. The film would not be realistic.

B)   Choose on scene from your favourite movie or cartoon (NOT listed in the examples given in the video). Save the scene as a .jpeg image. Describe (minimum 7 sentences) the colour palette in the scene. Explain why you like it and what effects it creates (if necessary give the background information of the plot). 


XX WORDS FOR DICTATION. Vocabulary focus. Study the words and  word combinations, check flashcards, practise translation, spelling. Take a  test. Play matching vocabulary game (match words to their translations to make cards disappear)  and save the planet from asteroids by typing in correct translation of the words.